Zechariah 4:11

Verse 11 of 14. The 4th of 14 chapters in Zechariah, in The Minor Prophets.

7Who art thou, O great mountain? before Zerubbabel thou shalt become a plain: and he shall bring forth the headstone thereof with shoutings, crying, Grace, grace unto it.

8Moreover the word of the Lord came unto me, saying,

9The hands of Zerubbabel have laid the foundation of this house; his hands shall also finish it; and thou shalt know that the Lord of hosts hath sent me unto you.

10For who hath despised the day of small things? for they shall rejoice, and shall see the plummet in the hand of Zerubbabel with those seven; they are the eyes of the Lord, which run to and fro through the whole earth.

11Then answered I, and said unto him, What are these two olive trees upon the right side of the candlestick and upon the left side thereof?

12And I answered again, and said unto him, What be these two olive branches which through the two golden pipes empty the golden oil out of themselves?

13And he answered me and said, Knowest thou not what these be? And I said, No, my lord.

14Then said he, These are the two anointed ones, that stand by the Lord of the whole earth.

Read Zechariah 4

Zechariah 4:11 in the World English Bible

Then I asked him, “What are these two olive trees on the right side of the lamp stand and on the left side of it?”
Read Zechariah 4:11 in the WEB

Matthew Henry on Zechariah 4:11

He understood the meaning of the candlestick with its lamps: It is Jerusalem, it is the temple, and their salvation that is to go forth as a lamp that burns; but he wants to know what are these two olive-trees (v. 11), these two olive-branches? v. 12. Observe here, 1. He asked. Note, Those that would be acquainted with the things of God must be inquisitive concerning those things. Ask, and you shall be told. 2.

Read Matthew Henry on Zechariah 4:11–14: The Vision of the Olive-Trees. (b. c. 520.)

Pray Zechariah 4:11 with someone reading it aloud.

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King James Version. Public domain. Set as prose throughout, including the poetry, because the text is published to us without its lines.