Revelation 9:14

Verse 14 of 21. The 9th of 22 chapters in Revelation.

10And they had tails like unto scorpions, and there were stings in their tails: and their power was to hurt men five months.

11And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.

12One woe is past; and, behold, there come two woes more hereafter.

13And the sixth angel sounded, and I heard a voice from the four horns of the golden altar which is before God,

14Saying to the sixth angel which had the trumpet, Loose the four angels which are bound in the great river Euphrates.

15And the four angels were loosed, which were prepared for an hour, and a day, and a month, and a year, for to slay the third part of men.

16And the number of the army of the horsemen were two hundred thousand thousand: and I heard the number of them.

17And thus I saw the horses in the vision, and them that sat on them, having breastplates of fire, and of jacinth, and brimstone: and the heads of the horses were as the heads of lions; and out of their mouths issued fire and smoke and brimstone.

18By these three was the third part of men killed, by the fire, and by the smoke, and by the brimstone, which issued out of their mouths.

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Revelation 9:14 in the World English Bible

saying to the sixth angel who had the trumpet, “Free the four angels who are bound at the great river Euphrates!”
Read Revelation 9:14 in the WEB

Matthew Henry on Revelation 9:14

When nations are ripe for punishment, those instruments of God's anger that were before restrained are let loose upon them, v. 14. 3. The instruments that God makes use of to punish a people may sometimes lie at a great distance from them, so that no danger may be apprehended from them. These four messengers of divine judgment lay bound in the river Euphrates, a great way from the European nations.

Read Matthew Henry on Revelation 9:13–21: The Seventh Trumpet. (a. d. 95.)

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King James Version. Public domain. Set as prose throughout, including the poetry, because the text is published to us without its lines.