Lamentations 2:22

Verse 22 of 22. The 2nd of 5 chapters in Lamentations, in The Major Prophets.

18Their heart cried unto the Lord, O wall of the daughter of Zion, let tears run down like a river day and night: give thyself no rest; let not the apple of thine eye cease.

19Arise, cry out in the night: in the beginning of the watches pour out thine heart like water before the face of the Lord: lift up thy hands toward him for the life of thy young children, that faint for hunger in the top of every street.

20Behold, O Lord, and consider to whom thou hast done this. Shall the women eat their fruit, and children of a span long? shall the priest and the prophet be slain in the sanctuary of the Lord?

21The young and the old lie on the ground in the streets: my virgins and my young men are fallen by the sword; thou hast slain them in the day of thine anger; thou hast killed, and not pitied.

22Thou hast called as in a solemn day my terrors round about, so that in the day of the Lord’s anger none escaped nor remained: those that I have swaddled and brought up hath mine enemy consumed.

Read Lamentations 2

Lamentations 2:22 in the World English Bible

“You have called, as in the day of a solemn assembly, my terrors on every side. There was no one that escaped or remained in the day of the LORD’s anger. My enemy has consumed those whom I have cared for and brought up.
Read Lamentations 2:22 in the WEB

Matthew Henry on Lamentations 2:22

The enemies that used them thus cruelly were such as he had both mustered and summoned (v. 22): "Thou hast called in, as in a solemn day, my terrors round about, that is, the Chaldeans, who are such a terror to me;" enemies crowded into Jerusalem now as thickly as ever worshippers used to do on a solemn festival, so that they were quite overpowered with numbers, and none escaped nor remained; Jerusalem was made a perfect slaughter-house.

Read Matthew Henry on Lamentations 2:10–22: Complicated Sorrows. (b. c. 588.)

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King James Version. Public domain. Set as prose throughout, including the poetry, because the text is published to us without its lines.