Genesis 12:11
Verse 11 of 20. The 12th of 50 chapters in Genesis, in The Law.
7And the Lord appeared unto Abram, and said, Unto thy seed will I give this land: and there builded he an altar unto the Lord, who appeared unto him.
8And he removed from thence unto a mountain on the east of Beth–el, and pitched his tent, having Beth–el on the west, and Hai on the east: and there he builded an altar unto the Lord, and called upon the name of the Lord.
9And Abram journeyed, going on still toward the south.
10And there was a famine in the land: and Abram went down into Egypt to sojourn there; for the famine was grievous in the land.
11And it came to pass, when he was come near to enter into Egypt, that he said unto Sarai his wife, Behold now, I know that thou art a fair woman to look upon:
12Therefore it shall come to pass, when the Egyptians shall see thee, that they shall say, This is his wife: and they will kill me, but they will save thee alive.
13Say, I pray thee, thou art my sister: that it may be well with me for thy sake; and my soul shall live because of thee.
14And it came to pass, that, when Abram was come into Egypt, the Egyptians beheld the woman that she was very fair.
15The princes also of Pharaoh saw her, and commended her before Pharaoh: and the woman was taken into Pharaoh’s house.
Genesis 12:11 in the World English Bible
When he had come near to enter Egypt, he said to Sarai his wife, “See now, I know that you are a beautiful woman to look at.Read Genesis 12:11 in the WEB
Matthew Henry on Genesis 12:11
Here is, I. A famine in the land of Canaan, a grievous famine. That fruitful land was turned into barrenness, not only to punish the iniquity of the Canaanites who dwelt therein, but to exercise the faith of Abram who sojourned therein; and a very sore trial it was; it tried what he would think, 1.
Read Matthew Henry on Genesis 12:10–13: Abram's Removal into Egypt. (b. c. 1920.)
Pray Genesis 12:11 with someone reading it aloud.
Start praying with Pray.comKing James Version. Public domain. Set as prose throughout, including the poetry, because the text is published to us without its lines.