Deuteronomy 4:46
Verse 46 of 49. The 4th of 34 chapters in Deuteronomy, in The Law.
42That the slayer might flee thither, which should kill his neighbour unawares, and hated him not in times past; and that fleeing unto one of these cities he might live:
43Namely, Bezer in the wilderness, in the plain country, of the Reubenites; and Ramoth in Gilead, of the Gadites; and Golan in Bashan, of the Manassites.
44And this is the law which Moses set before the children of Israel:
45These are the testimonies, and the statutes, and the judgments, which Moses spake unto the children of Israel, after they came forth out of Egypt,
46On this side Jordan, in the valley over against Beth–peor, in the land of Sihon king of the Amorites, who dwelt at Heshbon, whom Moses and the children of Israel smote, after they were come forth out of Egypt:
47And they possessed his land, and the land of Og king of Bashan, two kings of the Amorites, which were on this side Jordan toward the sunrising;
48From Aroer, which is by the bank of the river Arnon, even unto mount Sion, which is Hermon,
49And all the plain on this side Jordan eastward, even unto the sea of the plain, under the springs of Pisgah.
Deuteronomy 4:46 in the World English Bible
beyond the Jordan, in the valley opposite Beth Peor, in the land of Sihon king of the Amorites, who lived at Heshbon, whom Moses and the children of Israel struck when they came out of Egypt.Read Deuteronomy 4:46 in the WEB
Matthew Henry on Deuteronomy 4:46
These are the testimonies, the statutes, and the judgments, the moral, ceremonial, and judicial laws, which had been enacted before, when Israel had newly come out of Egypt, and were now repeated, on this side Jordan, v. 44-46. The place where Moses gave them these laws in charge is here particularly described. (1.) It was over-against Beth-peor, an idol-temple of the Moabites, which perhaps Moses sometimes looked towards, with a particular caution to them against the infection of that and…
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Start praying with Pray.comKing James Version. Public domain. Set as prose throughout, including the poetry, because the text is published to us without its lines.