2 Chronicles 4:11

Verse 11 of 22. The 4th of 36 chapters in 2 Chronicles, in History.

7And he made ten candlesticks of gold according to their form, and set them in the temple, five on the right hand, and five on the left.

8He made also ten tables, and placed them in the temple, five on the right side, and five on the left. And he made an hundred basons of gold.

9Furthermore he made the court of the priests, and the great court, and doors for the court, and overlaid the doors of them with brass.

10And he set the sea on the right side of the east end, over against the south.

11And Huram made the pots, and the shovels, and the basons. And Huram finished the work that he was to make for king Solomon for the house of God;

12To wit, the two pillars, and the pommels, and the chapiters which were on the top of the two pillars, and the two wreaths to cover the two pommels of the chapiters which were on the top of the pillars;

13And four hundred pomegranates on the two wreaths; two rows of pomegranates on each wreath, to cover the two pommels of the chapiters which were upon the pillars.

14He made also bases, and lavers made he upon the bases;

15One sea, and twelve oxen under it.

Read 2 Chronicles 4

2 Chronicles 4:11 in the World English Bible

Huram made the pots, the shovels, and the basins. So Huram finished doing the work that he did for King Solomon in God’s house:
Read 2 Chronicles 4:11 in the WEB

Matthew Henry on 2 Chronicles 4:11

That Huram the workman was very punctual: He finished all that he was to make (v. 11), and left no part of his work undone. Huram, his father, he is called, v. 16. Probably it was a sort of nickname by which he was commonly known, Father Huram; for the king of Tyre called him Huram Abi, my father, in compliance with whom Solomon called him his, he being a great artist and father of the artificers in brass and…

Read Matthew Henry on 2 Chronicles 4:11–22

Pray 2 Chronicles 4:11 with someone reading it aloud.

Start praying with Pray.com

King James Version. Public domain. Set as prose throughout, including the poetry, because the text is published to us without its lines.