2 Chronicles 3:4

Verse 4 of 17. The 3rd of 36 chapters in 2 Chronicles, in History.

1Then Solomon began to build the house of the Lord at Jerusalem in mount Moriah, where the Lord appeared unto David his father, in the place that David had prepared in the threshingfloor of Ornan the Jebusite.

2And he began to build in the second day of the second month, in the fourth year of his reign.

3Now these are the things wherein Solomon was instructed for the building of the house of God. The length by cubits after the first measure was threescore cubits, and the breadth twenty cubits.

4And the porch that was in the front of the house, the length of it was according to the breadth of the house, twenty cubits, and the height was an hundred and twenty: and he overlaid it within with pure gold.

5And the greater house he cieled with fir tree, which he overlaid with fine gold, and set thereon palm trees and chains.

6And he garnished the house with precious stones for beauty: and the gold was gold of Parvaim.

7He overlaid also the house, the beams, the posts, and the walls thereof, and the doors thereof, with gold; and graved cherubims on the walls.

8And he made the most holy house, the length whereof was according to the breadth of the house, twenty cubits, and the breadth thereof twenty cubits: and he overlaid it with fine gold, amounting to six hundred talents.

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2 Chronicles 3:4 in the World English Bible

The porch that was in front, its length, across the width of the house, was twenty cubits, and the height one hundred twenty; and he overlaid it within with pure gold.
Read 2 Chronicles 3:4 in the WEB

Matthew Henry on 2 Chronicles 3:4

The timber-work was very fine, and yet, within, it was overlaid with pure gold (v. 4), with fine gold (v. 5), and that embossed with palm-trees and chains. It was gold of Parvaim (v. 6), the best gold. The beams and posts, the walls and doors, were overlaid with gold, v. 7.

Read Matthew Henry on 2 Chronicles 3:1–9: The Temple Built. (b. c. 1012.)

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King James Version. Public domain. Set as prose throughout, including the poetry, because the text is published to us without its lines.